EBOLA VILLAGE

EBOLA VILLAGE isn’t trying to be flashy. It doesn’t care for shiny menus or over-produced trailers. This is survival horror the way it used to be — tense, grim, and just weird enough to keep you from getting comfortable.

You play as Maria. It’s a regular night. She’s watching her show at home when the screen glitches and suddenly there’s a broadcast about a biological threat. Not a warning — a full-on red alert. She heads to her mother’s village. Ruslan, her ex-husband, lives nearby. That’s the setup. What you find there? Let’s just say you won’t want to go wandering around small Russian towns after dark.

This game drips with atmosphere. The lighting is sharp but subtle. The sounds echo the emptiness. You’ll move through tight interiors, cluttered barns, overgrown paths — the kind of place where the quiet is the threat. It’s immersive not because it tells you to be scared, but because it never lets you settle.

 SkipTheGame, drops you into its world with barely a safety net. Classic puzzles return — locked doors, missing items, weird symbols — and you’ll be solving them under pressure, usually while some infected lunatic shuffles toward you. You’ll need to think fast, plan your routes, and maybe just run for it when things go sideways.

Combat? It’s raw. Brutal. Messy. You’ve got weapons, sure — but every bullet matters. The damage system is satisfying in a nasty sort of way. Enemies don’t just fall over — they stumble, lose limbs, and keep coming if you’re not careful. And the bosses? Good luck. Each one’s designed to push you to your edge.

This isn’t some nostalgic cash-in. EBOLA VILLAGE revives the survival horror formula and gives it teeth again. You’ll find everything that made the genre tick — inventory juggling, creepy notes, real exploration — and mix that with strange new stuff like treating yourself with Russian herbs. It’s got its quirks, and that’s the charm.

It doesn’t hold your hand. It doesn’t guide you with glowing arrows or auto-saves. It throws you in and says, “Figure it out.” And when you do? You’ll feel it. That rush, that click — the thing these games used to do before everything got streamlined.

So if you’ve been waiting for a horror game that plays like it means it — the kind where dying matters and the story hides in the quiet corners — this is it. It’s dark, a bit odd, and completely committed to the mood.